The Tourist City Berlin: Tourism & Architecture Labor Market | 07.12.2011 
  Berlin's creative community wary of minimum wage 
  
 
  The German government's move to reform minimum wage legislation is  popular, but Berlin's creative community is concerned about the  consequences. Will they become starving artists? 
 
 
Berlin  has long been a hub of European subculture. The city attracts hordes of  artists, musicians and creative entrepreneurs, beckoned by the cheap  living costs and teeming nightlife. Combined with a huge turnover of  tourists, this translates into an incredibly young, transient population  with high levels of unemployment. Many young people who migrate to the  city find themselves working low-wage cash jobs without employee  benefits - and struggling to sustain their creative aspirations.
Twenty-four-year-old  Bianca Lean is an Australian visual artist who moved to Berlin in 2009.  Since then, she has worked a range of low-wage positions to stay afloat  and support her art career. After six months in Paris, she decided to  move to Berlin because of its wealth of independent galleries and low  cost of living. 
  
 She  initially secured an internship at a marketing company, plugging search  engine optimization keywords into Google for 3.50 euros ($4.70) an  hour. She also worked weekends at a bar for four euros an hour. Her  hours ranged from none in a week to consecutive 15-hour shifts.
Later,  Bianca worked as a baker for two different businesses after quitting  her previous jobs. She was paid under the table in cash and was able to  pay her rent and live quite comfortably. But working 12-hour shifts, up  to six days a week, left no time for her art.
 Young artists often tend to work at restaurants and bars"It's  a Catch 22 - now I have enough money to go traveling or do anything I  want to, but I still haven't created any work out of it. I've had one  exhibition and quite a few bits and pieces (…) - but it's not what I  expected I would have been able to accomplish," she said.
Young artists often tend to work at restaurants and bars"It's  a Catch 22 - now I have enough money to go traveling or do anything I  want to, but I still haven't created any work out of it. I've had one  exhibition and quite a few bits and pieces (…) - but it's not what I  expected I would have been able to accomplish," she said.
Stories  like Bianca's are commonplace, particularly among artists looking for  side jobs while focusing on their true passion. Germany is one of only  seven EU nations without a binding minimum wage. Instead, it has a set  of union-negotiated "wage floors" for some industries - which vary from  state to state - and no minimum at all for others. 
  
 Although  unemployment as a whole dropped to its lowest level in 20 years in  September 2011 - with less than 2.8 million Germans without work - the  number of negotiated salaries in low-wage jobs has dropped just as  significantly over the past year, according to figures from the Hans  Böckler Foundation. This figure is disproportionately represented in  eastern Germany, where the wage floors for many industries are  consistently lower than their western counterparts.
  
 No standard minimum wage
Currently,  the hospitality industry - which employs a large number of inspiring  artists - has no set wage floor, but there are enforceable provisions  for the rights of employees when an employer holds a voluntary contract  with a union. The government has ignored union calls to introduce a  general minimum wage, but is currently proposing to facilitate  agreements for industries that don't yet have an agreed minimum rate.
Despite  the challenges in remaining financially sustainable, Bianca said that  an increase in the minimum wage for her industry to 8.50 euros per hour  would have a minimal effect on her lifestyle.
 Heilmann wants a general minimum wage of 8.50 euros per hour"I  don't think it would have much of an impact at all. I'm getting paid  under the table anyway, and I make up to 10 euros an hour in tips  depending on the day, so I don't think an extra euro or two would help  me because I'd have to pay taxes on it - I could end up losing money,"  she explained.
Heilmann wants a general minimum wage of 8.50 euros per hour"I  don't think it would have much of an impact at all. I'm getting paid  under the table anyway, and I make up to 10 euros an hour in tips  depending on the day, so I don't think an extra euro or two would help  me because I'd have to pay taxes on it - I could end up losing money,"  she explained.
Bianca is preparing to move back to Sydney, due in  part to her frustration at the challenges of supporting herself and  remaining productive in Berlin.
Micha Heilmann is head of the  legal department for the Gewerkschaft Nahrung-Genuss-Gaststätten (NGG),  Germany's food and catering union, which has been a long-time campaigner  for a minimum wage across industries.
"If we were to have a  minimum wage for the hospitality industry, that would help people if it  were, say, 8.50 or 7.50 [euros per hour] to start with, and of course if  they always have a sufficient amount of part-time work," he said. 
 
As  far as under-the-table work goes, Heilmann believes the existing  proposal will do nothing to address the issue. He knows how often  low-wage earners are pressured into situations like Bianca's, and  believes much stronger regulation is needed.
What's in it for employers?
Matt  Kenevin, one of three owner-operators of Berlin's Mexican restaurant  Maria Peligro, takes a different view. He said that the NGG's proposed  8.50-euro hourly wage could potentially drive them out of business  altogether.
  
  Kenevin wants to see breaks for small businesses
Kenevin wants to see breaks for small businesses
 Kenevin  and his partners have worked hard to build their business' reputation  as a place that gives back to the creative community and treats its  workers fairly. He works the bar every day, his chef and kitchen hand  are fulltime, and he pays his servers' health insurance, even though  he's not required to by law. 
  
 But  the influx of investment in Berlin's real estate market - the main  driver of the hotly debated gentrification of inner suburbs Kreuzberg  and Neukölln - has sent rent prices rocketing. Kenevin said that running  Maria Pelligro "by the book" means that money is tight, and that  competitors don't always take this approach.
"Our staff costs are  already through the roof, I honestly don't think it would be worth  running a business if the rent goes up again and the wages go up like  that," he said. "There's no way they can put the rates up and expect  people to pay it. It'll encourage more and more people to keep people  off the books. They also have to help out the employers."
For  the time being at least, creative types are still flocking to the "poor,  but sexy" German capital. But just how long they stay, remains to be  seen. 
 
Author: Daniel Bishton
Editor: Kate Bowen